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Four Muses and Pegasus on Parnassus Gemälde ID:: 66369
Siehe Galerie in Schweden
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Four Muses and Pegasus on Parnassus c. 1650
Oil on canvas
340 x 230 cm c._1650
Oil_on_canvas
340_x_230_cm
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Amor eine Glaskugel haltend Gemälde ID:: 76924
Siehe Galerie in Schweden
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Amor eine Glaskugel haltend from 1650(1650) until 55(0055)
Oil on canvas
88,5 x 102,5 cm
cjr from_1650(1650)_until_55(0055)
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_Oil_on_canvas
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88,5_x_102,5_cm
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cjr
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Diogenes looking for an honest man Gemälde ID:: 95717
Siehe Galerie in Schweden
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Diogenes looking for an honest man 1652(1652)
Medium oil on canvas mounted on panel
cyf 1652(1652)_
Medium_oil_on_canvas_mounted_on_panel_
cyf
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Vertumnus and Pomona Gemälde ID:: 96596
Siehe Galerie in Schweden
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Vertumnus and Pomona ? X ? cm
Date 1650(1650)
Medium oil on canvas
cyf ?_X_?_cm_
Date_1650(1650)_
Medium_oil_on_canvas_
cyf
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1 | Vorheriger Künstler Nächster Künstler
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Caesar van Everdingen
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(1616/17, Alkmaar - buried October 13, 1678, Alkmaar), older brother of Allart van Everdingen and Jan van Everdingen, was a Dutch Golden Age portrait painter.
Caesar Pietersz van Everdingen also known as Caesar Boetius van Everdingen was educated in Utrecht, where he learned to paint from Jan Gerritsz van Bronckhorst.Caesar became a member of the painter's guild in Alkmaar in 1632. His first known painting dates from 1636. In 1648 he moved to Haarlem, where he joined the Haarlem Guild of St. Luke and the civic guard (or schutterij) there, where he met Jacob van Campen. From 1648 to 1650 He helped him with the decoration of the Oranje Zaal (Orange room) in Huis ten Bosch. In 1658 he moved back to Alkmaar where he started a workshop and took on pupils.
Many of his pictures are to be seen in the museums and private houses of the Netherlands. His pupils were Jan Theunisz Blanckerhoff, Adriaen Dekker, Hendrik Graauw, and Thomas Heeremans.Houbraken also lists two other pupils; Adriaen Warmenhuizen, and Laurens Oosthoorn.
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